Ochre Browns
: ON THE SEMI-NEUTRAL, BROWN.The slight affinity of sulphur for yellow ochre, with its merely
temporary effect thereon, was observed in the eighth chapter, where
allusion was made to the action of sulphuretted hydrogen and sulphide of
ammonium on the earth. Sulphur alone, and in the dry state, ignited with
yellow or other native ochres converts them into browns, varying in hue,
and of greater or less durability. Those browns, however, which we have
withstood exposure to light and air. They have all become pale, whitish,
or of a drab cast, evidently through the oxidation of the sulphur, or
rather the sulphide of iron formed during the calcination. Practically,
therefore, ochres have an antipathy to sulphur, moist or dry, by itself
or in combination; and are, so to speak, the disinfectants of the
palette. Ever waging war against sulphurous vapours, the native earths
serve to protect a picture from the damaging influence of impure air,
whether they be used alone, or employed in admixture with such pigments
as are injured thereby.
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Iodine Yellow
Or iodide of lead, is one of those compounds whose presence on the palette should never have been allowed. Exceedingly brilliant, it is also utterly fugitive, destroyed by exposure or foul gas, and useless in admixture. We may state here that, whate... Iridium Blue
The rare metal iridium affords a blue which is a mixture of the oxide and the sesquioxide. But being slightly soluble in water and decolourised by sulphuretted hydrogen, it would not, other considerations apart, be an acquisition. ... Iron Browns
native or artificial, are well represented on the palette, but nothing would be easier than to increase their number. Of all metals, iron is the richest source of colour, capable of affording all colours with the exception of white. None of them, ho... Iron Yellow
Or oxalate of protoxide of iron, has very unadvisedly been recommended as a pigment. It is a bright pale yellow, but soon loses the beauty of its tint when submitted to air and light, becoming, by peroxidation, red and buffy. Even in a book the colo... Kermes Lake
Is an ancient pigment, perhaps the earliest of the European lakes, and ... Laque Minerale
is a French pigment, a species of chromic orange, similar to the orange chromate of lead. This name is likewise given to orange oxide of iron. ... Lawson's Red
In 1861 it was stated that Professor Lawson had prepared a new dye of great richness, in the laboratory of Queen's College, Canada, from an insect, a species of coccus, found the previous summer for the first ... Madder Marrone
or Marrone Lake, was a preparation of madder, of great depth, transparency, and stability. Working well in water, glazing and drying in oil, and in every respect a good pigment, it was one of those colours which gradually--and often, as in this case... Madder Orange
or Orange Lake. It has been said that the yellows so-called produced from madder are not remarkable for stability, differing therein from the reds, purples, russets, and browns. Like them, this 'orange' is of doubtful colour and permanence, and not ... Madder Yellow
As our (the Editor's) experience of this product is somewhat at variance with that of the author, we subjoin his original statement. "Madder yellow is a preparation from the madder-root. The best is of a bright colour, resembling Indian yellow, but ... Manganese Black
the common black oxide of that metal, is the best of all blacks for drying in oil without addition. It is also a colour of vast body and tingeing power. As a siccative, it might be advantageously employed with ivory black. ... Manganese Blue
An aqueous solution of permanganate of potash yields with baryta-water a violet mixture, which afterwards becomes colourless, and deposits a blue precipitate. This retains its colour after washing and drying, but cannot be recommended as a pigment, ... Manganese Brown
is an oxide of manganese, which is quite durable both in water and oil, and dries admirably in the latter. A fine, deep, semi-opaque brown of good body, it is deficient in transparency, but might be useful for glazing or lowering the tone of white w... Manganese Green
or Cassel Green. By several methods, manganate of baryta may be obtained either as an emerald-green, a bluish-green, or a pale green. The manganates, however, are decomposed by contact with organic matter; and hence the green would be liable to suff... Manganese Red
Bisulphide of arsenic combines with basic metallic sulphides forming a class of sulphur-salts, called by Berzelius, hyposulpharsenites. The hyposulpharsenite of manganese is a dark red precipitate, uninjured by sulphuretted hydrogen, and so far appl... Mars Marrone
Under the heading of a New Marrone Pigment there appeared some months back in a chemical journal the following:--"The blood-red compound obtained by adding a soluble sulphocyanide to a salt of iron in solution can be made (apparently at least) to co... Massicot
... Mineral Black
is a native impure carbon of soft texture, found in Devonshire. Blacker than plumbago, and free from its metallic lustre, it is of a neutral colour, greyer and more opaque than ivory black, and forms pure neutral tints. Being perfectly durable, and ... Mineral Green
... Molybdenum Green
A clear malachite green colour, when dried, is produced from molybdate of soda and potash-chrome-alum, or from the molybdate and alum with ammonia. Being more expensive than the chrome oxides and not better, its introduction, for use by artists, wou... Murexide
The red obtained from this substance created a great deal of interest among printers and dyers on its introduction in 1857, or thereabouts. For purity and brilliancy of shade it was not excelled by any other colour, but not being able to stand the e... Nickel Brown
A very pleasing yellowish brown is obtainable from nickel, bright and clear in its pale washes, and of some richness in oil. Unless thoroughly washed, it has a tendency to greenness in time. ... Ochre Browns
The slight affinity of sulphur for yellow ochre, with its merely temporary effect thereon, was observed in the eighth chapter, where allusion was made to the action of sulphuretted hydrogen and sulphide of ammonium on the earth. Sulphur alone, and i... Olive Oxide Of Chromium
An olive oxide of this metal is obtainable, transparent, of strict stability, and altogether superior to any original or compound olive pigment as yet known. Eligible either in water or oil, it is admirably adapted for autumn foliage, where a quiet,... Olive Rinman's Green
A compound analogous to cobalt green may be made, of an olive hue, with more body, and equally stable. ... Olive Scheele's Green
Cupric arsenite, when heated, gives off arsenious acid and water, leaving a residue of arsenide of copper and copper arseniate. A series of olive colours is so afforded, which are as durable as their original pigment, and might with advantage be sub... Olive Schweinfurt Green
is likewise furnished by gentle calcination. It may be directly prepared by mixing boiling aqueous solutions of equal parts of crystallised verdigris and arsenious acid. An olive-green precipitate is immediately formed, which is apt, without due pre... Olive Terre Verte
We have obtained a very beautiful olive from terre verte by simply changing its hue. In oil, especially, the colour so produced would be found of service for autumn foliage, or richly painted foregrounds. A simple original pigment, consisting wholly... Orange Lead
of a dull orange colour, is an orange protoxide of lead or massicot. Like litharge, it may be employed in the preparation of drying oils, and, being a better drier than white lead, may be substituted for it in mixing with pigments which need a sicca... Orange Orpiment
or Realgar, has also been called Red Orpiment, improperly, since it is a brilliant orange, inclining to yellow. There are two kinds, a native ... Paille De Mil
Or African Cochineal, is a substance obtained from Africa. Whether it has received its name of cochineal from its appearance or origin is not clear, but it behaves more like galls and sumac than cochineal, though it does give a kind of red with alum... Paper Black
a pigment unknown to the modern palette, like most of our numbered italicised colours, is of the nature of blue or vine black. Very soft and of a fine bluish-gray, it is fitted for flesh, or for mixing with whites or yellows in landscapes. ... Patent Yellow
... Peach Black
or Almond Black, made by burning the stones of fruits, the shell of the cocoa-nut, &c., is a violet-black, once much used by Parisian artists. Bouvier believes it to be a good black, but at the same time sensibly asks, of what use is it to have a bl... Peganum Harmala
The seeds of which afford a red colour, has been investigated by the French, but described as inferior to existing reds both in brilliancy and stability. ... Persulphomolybdates
The metallic compounds formed by the combination of persulphomolybdic acid with a base are pulverulent, in many cases of a red colour, and for the most part insoluble in water. With barium, the acid furnishes a yellowish-red powder, insoluble in, bu... Platinum Blue
With mercurous nitrate, the platinocyanide of potassium forms a thick smalt blue, and the platinidcyanide a dark blue precipitate. The compound is a mixture of platino- or platinidcyanide of mercury and mercurous nitrate. Upon the presence of the la... Platinum Yellow
Our own opinion of this costly preparation is that the good qualities of the product do not justify its price. It may be obtained as a bright, rich, deep yellow, of considerable transparency; but the colour is acted upon by foul gas and exposure. Ev... Prussian Black
The same Prussian blue which gives a brown when burnt in the open air, yields a black when calcined in a close crucible. Very intense, very soft and velvety, and very agreeable to work, this bluish-black dries much more promptly than most other blac... Prussian Purple
A prussiate of iron is obtainable of a violet hue, affording good shadow tints and clear pale washes. It has not, however, been introduced as a pigment, as ordinary Prussian blue tinged with red furnishes a similar colour. ... Prussiate Of Copper
differs chemically from Prussian blue only in having copper instead of iron for its basis. It varies in hue from russet to purple brown, is transparent and deep, but, being very liable to change in colour by the action of light and by other pigments... Purple Black
is, or rather was, a preparation of madder, of a deep purple hue approaching black. Powerful and very transparent, it glazed and dried well in oil, and was a durable and eligible pigment. Its tints with white lead were of a purple cast. ... Purple Brown
is a refuse manufacture from Indian red washings. A dull, heavy, coarse colour, it belongs to the class of common pigments which are unexceptionable for decorative painting, but scarcely suited to the higher branches of art. As this work professes s... Quinine Green
is rather adapted for a dye than an artist-colour. It is furnished by acting on quinine with hypochlorite of lime, hydrochloric acid, and ammonia, successively. Thus prepared, the green resembles a resin, insoluble in water, but soluble in alcohol, ...