Real And Lasting Benefit To Pictorial Art In General The
: ON THE PRIMARY, YELLOW.permanence and unaltered purity of its lightest and faintest
tints we are assured may be confidently relied upon, inasmuch as
they have been fully established by the most severe tests to
which colour can be subjected, by several of our ablest and most
talented chemists. It is, therefore, needless to enlarge upon
its merits, other than that I, for one, feel grateful for its
introduction. Its uses
available for every purpose requiring a Yellow of its character.
As to Gray--perhaps it is not possible to obtain more delicately
pure and transparent aerial tints than are to be produced from
a combination of Cobalt, Rose Madder and Aureolin; all of which
are of a light description and well suited for the
representation of soft and thin effects of the atmosphere. These
colours are each of them beautiful, and yield a most exquisite
range of tones, which, as they mix together most kindly, render
them desirable where purity and delicacy are sought. As to
Foliage.--In speaking of Aureolin as adapted for the colouring
of foliage and herbage, it is impossible to say too much in its
praise. It imparts the vividness and freshness of nature to
every colour with which it is combined--a quality of the highest
order. As a colour for drapery it has no equal, and may be
employed with perfect success, either by itself or with any of
the other pigments.
"The following table of compound tints will be found extremely
useful:--
Aureolin. Aureolin. Aureolin. Aureolin.
Burnt Sienna. Vandyke Brown. Sepia. Sepia, or Rose
Indigo, or Indigo, or French Madder.
French Blue. Blue. Cobalt.
Aureolin. Aureolin. Aureolin. Aureolin.
Indigo. Oxide of Chromium. Emerald Light Red.
Green. Cobalt, or
Indigo.
Aureolin. Aureolin. Aureolin. Aureolin.
Burnt Sienna. Burnt Umber. Brown Madder. Rose Madder.
"Aureolin, in combination with Cobalt and Sepia, or Rose Madder,
gives most agreeable and delicate tints for distant trees, when
under the influence of a soft light, or hazy state of the
atmosphere. Having most impartially and diligently tested the
qualities of the Aureolin, I can and do most conscientiously
recommend its adoption by all who practise water-colour
painting."
The foregoing sufficiently proves the value of aureolin in water, and
similar flattering notices have been given of the colour in oil. Both in
a chemical and artistic sense, therefore, this new primitive yellow
merits the highest regard, and justly claims a foremost place among that
little band of pigments which are without fear and without reproach.
For mural decoration, aureolin is admirably adapted, but it cannot be
used in enamel, the colour being destroyed by great heat.
TTITLE CADMIUM YELLOWS.
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White Lead {Lead. / Sulphide of Lead (Black.) {Carbonic Acid. Such is the theory of the reaction which might take place, but which, as far as our own experience goes, does not. Some deep cadmium yellow which we our... I Have Fully Tested The Qualifications Of Aureolin For The
Landscape Painter, and, without hesitation, pronounce it to be the most valuable addition to the 'colour box' since the introduction of Rose Madder. It has supplied a deficiency of a very important character. Hitherto, no Primitive Yel... Real And Lasting Benefit To Pictorial Art In General The
permanence and unaltered purity of its lightest and faintest tints we are assured may be confidently relied upon, inasmuch as they have been fully established by the most severe tests to which colour can be subjected, by several of our... Will Not Only Be Regarded By The Artist As A Great Boon In The
production of his works, but it must also be considered as a ... Arsenic Yellow
... Cadmium Yellow {cadmium Carbonate Of Cadmium (white)
{Sulphur. / \ / \ / \ / \ / \ / ... Chrome Browns
are produced by various methods of several hues, tints, and shades, both by wet and dry processes. We have obtained them by many methods, of different degrees of permanence. Some very intense in colour have stood well, while others paler and more de... Elsner's Green
is also a combination of tin and copper. It is made by adding to a solution of sulphate of copper a decoction of fustic, previously clarified by a solution of gelatine. To this mixture are added ten or eleven per cent. of protochloride of tin, and l... Anotta
Annotto, Annatto, Arnotto, Arnotta, Terra Orellana, Rocou, &c., is met with in commerce under the names of cake anotta, and flag or roll anotta. The former, which comes almost exclusively from Cayenne, should be of a bright yellow colour: the latter... Antimony Orange
Golden Sulphur of Antimony, or Golden Yellow, is a hydro-sulphuret of antimony of an orange colour, which is destroyed by the action of strong light. It is a bad dryer in oil, injurious to many pigments, and in no respect eligible either in water or... Antimony Red
Or Mineral Kermes. We have obtained this colour ranging from light orange to deep carmine, of different degrees of brightness and stability. Some of the tints stood well in a book, but faded on exposure to light and air; and some even vanished when ... Archil Purple
Archil may be regarded as the English, cudbear as the Scotch, and litmus as the Dutch name for one and the same substance, extracted from several species of lichens by various processes. These lichens, which are principally collected on rocks adjace... Bismuth Purple
A purple powder is capable of being produced from bismuth by passing chlorine gas through the hydrated oxide suspended in a saturated solution of potash. As soon as the oxide becomes brown-red, the mixture is boiled and the liquid decanted off at on... Bismuth Yellow
Or chromate of bismuth, may be obtained either as a lemon or an orange yellow, sparingly soluble in water. The colour is not permanent, and turns greenish-brown even when excluded from light and air. ... Black Chalk
is an indurated clay, of the texture of white chalk, and chiefly used for cutting into crayons. Fine specimens have been found near Bantry in Ireland, and in Wales, but the Italian has the most reputation. Crayons for sketching and drawing are also ... Black Ochre
Earth Black, or Prussian Black, is a native earth, combined with iron and alluvial clay. It is found in most countries, and should be washed and exposed to the atmosphere before being employed. Sea-coal, and other black mineral substances, have been... Blue Ashes Or Mountain Blue
are both hydrated carbonates of copper, the first being artificially prepared, and the second found native in Cumberland. Neither is durable, especially in oil; and, as pigments, both are precisely of the character of verditer. By treating the natur... Blue Carmine
In a former edition of this work there appeared the following:--"Blue carmine is a blue oxide of molybdenum, of which little is known as a substance or as a pigment. It is said to be of a beautiful blue colour, and durable in a strong light, but is ... Blue Ochre
which has been improperly called Native Prussian Blue, is a native hydrated phosphate of iron of rare occurrence, found with iron pyrites in Cornwall, and also in North America. What Indian red is to the colour red, and Oxford ochre to yellow, this ... Blue Verditer
or Verditer, is an oxide of copper, formed by precipitating nitrate of copper with lime. It is of a beautiful light blue colour, little affected by light, but greened and ultimately blackened by time, damp, and impure air--changes which ensue even m... Bone Black
obtained by charring, is similar to that of ivory, except that it is a little warmer in tone, having a reddish or orange tinge, and is a worse drier in oil. Like ivory black, it is very transparent. Immense quantities of bone black are consumed with... Burnt Madder
is obtained by carefully charring madder carmine until it becomes of the hue required. Bearing the same relation to madder carmine as burnt carmine to the carmine of cochineal, burnt madder is a permanent and perfectly unexceptionable pigment. By re... Burnt Verdigris
is what its name expresses, and is an olive-coloured oxide of copper deprived of acid. It dries remarkably well in oil, is more durable than the original verdigris, and is in other respects an improved and more eligible pigment, although not to be r... Cadmium Brown
By igniting the white carbonate of cadmium, among other methods, a cinnamon-brown oxide is obtainable, of a very clear and beautiful colour if the process be well conducted. It is, however, not eligible as a pigment, owing to the rapidity with which... Cadmium White
Provided the metal be freed from iron, which we have commonly found to be more or less present, a white of considerable beauty may be produced; either directly by precipitation as hydrated oxide or carbonate, or indirectly by exposing the brown anhy... Cassia Fistula
is a native vegetal pigment, though it is more commonly employed as a medicinal drug. It is brought from the East and West Indies in a sort of cane, in which it is naturally produced. As a pigment it is deep, transparent, of an imperfect citrine col... Catechu Browns
... Chica Marrone
Chica, the red colouring principle alluded to in the ninth chapter, is ... Chica Red
Is extracted from the leaves of a tree growing in central and southern America. A sample examined by Mr. O'Neill was in small irregular lumps, of a bright scarlet colour, adherent to the tongue like indigo, and taking a metallic polish of a greenish... Chocolate Lead
or Marrone Red, is a pigment prepared by calcining oxide of lead with about a third of copper oxide, and reducing the compound to a uniform tint by levigation. It is of a chocolate hue, strong opaque body, and dries freely. Like all lead and copper ... Chromate Of Mercury
has been improperly classed as a red with vermilion, for though it is of a bright ochrous red in powder, when ground it becomes a bright ochre-orange, and affords with white very pure orange tints. Nevertheless it is a bad pigment, since light soon ... Chrome Arseniate
is an agreeable apple-green colour, prepared from arseniate of potash and salts of chromic oxide. It is durable, but possesses no advantages over the chrome oxides, and is of course poisonous. ... Citrine Brown
From boiling, hot, or cold solutions of bichromate of potash and hyposulphite of soda in excess, we have obtained an agreeable citrine-brown colour, varying in hue and tint according to the mode of preparation and proportions of materials employed. ... Coal-tar Colours
Our work might be considered incomplete without some allusion to the coal-tar colours, even though they are rather dyes than pigments, not possessing sufficient stability for the palette. To avoid repeated reference, we have preferred grouping them ... Cobalt Green
Rinman's Green, Vert de Zinc or Zinc Green. True cobalt green is made by igniting a very large quantity of carbonate of zinc with a very small quantity of carbonate of cobalt. To give a green tint to an enormous proportion of the former, an inapprec... Cobalt Marrone
There is obtainable from cobalt a very rich marrone brown, which, like many other colours, is more beautiful while moist than when dried. Permanent, if carefully made and most thoroughly washed, it is an expensive compound, and must rank among those... Cobalt Prussian Blue
Gmelin states that yellow prussiate of potash yields with a solution of oxalate of sesquioxide of cobalt a blue resembling Prussian blue--that, in fact, there can be obtained a Prussian blue with a base of cobalt instead of iron. In the moist state,... Cobalt Purples
are obtainable ranging from the richest crimson purple to the most delicate violet. We have produced them by wet and dry methods, varying in brilliancy and beauty, but characterised generally by want of body, and frequently by a smalt-like grittines...