Yellow-green
: ON THE PRIMARY, RED.Red breaks and diffuses with white with peculiar loveliness. It is
discordant when standing with orange only, requiring to be joined or
accompanied by their proper contrast, to resolve or harmonize the
dissonance. In landscapes, &c., abounding with hues allied to green, a
red object properly placed as regards light, shade, or distance,
conduces wonderfully to the life, beauty, harmony, and connexion of the
colouring. Red is, indeed, the chief element of beauty in floral nature,
the prime ornament of the green garb of the vegetal kingdom.
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White It Is Brought From Paris In The Form Of Drops Is Exquisitely
white, but of less body than flake white, and has all the properties of the best white leads. Being subject to the same changes, it is unfit for general use as a water-colour, though good in oil or varnish. TTITLE CREMNITZ WHITE, ... White Venetian White Hamburgh White Kremser White Sulphate
... Whiteness Even Contrast Has Its Contrast For Gradations Or
... With Cobalt Blue The Name Azure Has Sometimes Been Given To It
Varying exceedingly in quality and colour, the rougher kinds have been employed by the laundress, and in the making of porcelain, pottery, stained glass, encaustic tiles, &c.; as well as to cover the yellow tinge of paper. For this last purpose, howev... With Green It Forms The Tertiary Citrine And With Purple The Tertiary
... With It May Be Coupled Cadmium Orange A Colour Equally Brilliant And
stable, and equally without rankness or harshness, but of a true orange hue, admirably adapted for sunsets and the like. Last of all the fresh ... With Its Co-secondary Colour Green Purple Forms The Tertiary Olive;
and, when compounded with the remaining secondary, orange, it ... With Regard To Colour Then White In A Perfect State Should Be
neutral in hue, and absolutely opaque; that white being the best which reflects light most brilliantly. This property in white is called ... With Regard To Colours Individually It Is A General Law Of Their
relations, confirmed by nature and the impressions of sense, that those colours which lie nearest in nature to light have their greatest beauty in their lightest tints: and that those which tend similarly towards shade are most beautiful in their grea... With Regard To The Perspective Of Colours Or The Manner In Which They
affect the eye, according to position and distance, it is a branch of aerial perspective or the perspective of light and shade. This is distinguished from linear perspective, or the perspective of drawing, as drawing is from colouring; and they have p... With The Exception Of Madder Those Colours Mostly Affected By Light
... Without Change In This State It Was Called Giallolino Di Fornace And
was introduced as a pigment for artists, under the erroneous conception that vitrification gives permanence to colours, when in truth it only increases the difficulty of levigation, and injures their texture for working. We have spoken of Naples yello... Working Well Is A Quality Which Depends Principally Upon Fineness Of
... Yellow &c Is A Mixture Of Chloride And Oxide Of Lead Obtainable
either as a pale or a deep yellow. It is a hard, ponderous, sparkling substance, of a crystalline texture and bright colour; hardly inferior, when ground, to chrome yellow. Of an excellent body, and working well in oil and water, but soon injured both... Yellow Is A Chief Constituent: Hence Brown Is In Some Measure To Shade
what yellow is to light. Hence, also, proper quantities of either the three primaries, the three secondaries, or the three tertiaries, produce variously a brown mixture. Browns contribute to coolness and clearness by contrast when opposed to pure colo... Yellow When Orange Inclines To Red It Takes The Names Of Scarlet
... Yellow-green
Red breaks and diffuses with white with peculiar loveliness. It is discordant when standing with orange only, requiring to be joined or accompanied by their proper contrast, to resolve or harmonize the dissonance. In landscapes, &c., abounding with ...