Showing Four-Color Combinations. 
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Floor Treatments
<p> </p> <div> <img src="/images/img40.png" alt="floor rug" title="" height="297" width="500" /> </div> <p> </p> <p>84. Continuous design in ceiling or carpet weakens the size effect; hence rugs which break the continuity by being laid ac... Harmonies For The Room
<p>48. The floor should usually enter into the color scheme as the low note in the scale. It is the background for the furniture, and should be deeper than the dado or wainscoting. The wood trims—baseboard, doors, plate-rails, and everything ... Illumination
<p>148. For the dining-room and living-room a different plan must be used, because of the different requirements. The table is usually in such rooms the chief feature of the furnishings, and it is customary to focus upon it the main body of light. Whi... Illusion
<p>111. A doorway looks wider that has at the top a drapery which crosses in one complete curved sweep. A side-wall is larger apparently if along the frieze line long, wide loops or festoons are arranged. The same wall is more contracted and higher ... Illusion Effect And Expression In The Use Of Lines
<p>107. We very often notice a room which has been carefully carried out but is utterly lacking in charm. The color seems right, and, considered in detail, the furniture and the furnishings are appropriate, but the room lacks effectiveness.</p> <p>... Light
<p>1. The white light of the sun is compounded of an almost innumerable number of color elements, as shown by the phenomena of the rainbow or by experimenting with the prism. When a ray of sunshine passes through a glass prism it is decomposed or s... Light Color Form Proportion And Dimensions
<p>Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proporti... Light Effect On Color
<p>143. To illuminate a city, with the dull grim environment of streets and houses, a soft yellow glow will give warmth and tone; the greenish yellow of the Welsbach or the blue green of the mercury arc may even be desirable, but the same green or vio... Period Uses Of Color
<p>98. If our furniture is white and gold, it is clearly evident that the colorings of a room should be soft and harmonious. If we adopt the dark teakwood of India or the deep brown of Flanders, our color scheme again changes. The preponderance of w... Power Necessary
<p>157. While the list which we give herewith is based largely upon area, it may be taken as a basis of calculation for lighting equipment.</p> <p>It is estimated that 300 square feet of a hallway requires four sixteen-candlepower, or eight eight-c... Proportions
<p>22. In the use of one color with another of contrasting character the question frequently arises, what proportion of each should be used to obtain the best effect? Illustrative color books show usually samples of color of the same size, leading o... Reflective Power Of Color
<p>The following table will give an idea of the percentage of light reflected from ordinary wall-hangings and papers:</p> <div> <table summary="" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr> <td align="left"></td> ... Room Combinations
<div> <img src="/images/img21.png" alt="image" title="" height="429" width="650" /> Showing Four-Color Combinations. </div> <p> </p> ... Room Proportions
<p>66. In small rooms harmonies of contrast are unsafe, because contrasts must involve advancing colors, which make a room look smaller. Harmonies of analogy are far better; and as frieze, wainscoting and dado are not recommended in the small room, ... Sequence Of Harmonies
<div> <img src="/images/img22.png" alt="image" title="" height="220" width="650" /> DIAGRAM VI </div> <p>As these twenty-one sections are arranged, one has the layout for a suite of seven rooms; following the top line across in a light scale, the harmo... The Color Of Artificial Lights
<p>152. In planning or matching colors for a room, it is best to consider the purpose for which the room is to be used, and match the colors under the same light conditions that will prevail in the finished room.</p> <p>Deep, full colors are less affe... The Psychology Of Color
<p>94. Whatever may be the charm conveyed by design there is a reason for it. We can analyze it.</p> <p>It has an inherent quality of beauty or historic interest, and there is a definite and distinct reason for our liking it.</p> <p>But the effect ... The Wall The Keynote Color
<p>92. Our theory of color as applied to room furnishings provides always that the side-wall is the keynote and this keynote is usually fixed for practical reasons in sympathy with the furniture; above to the ceiling’s center the note ascends ... To Determine The Color Sense
<p>Color, like music, while subjected to positive rules of harmony, appeals to natures according to the responsiveness of their nerve sense, and the practical decorator in dealing with a customer should discover at the outstart the character of that n... Wall Proportions
<p>62. The wainscoting or dado should be the same as the top border or frieze, but of a darker tone. The intermixture of white or black is always permissible; thus a paper as a side-wall might have as its frieze the complementary coloring with more...