Tin Violet
: ON THE TERTIARY, CITRINE.By heating chromate of stannic oxide to bright redness, a dark violet
mass is obtained, which is better adapted to enamel painting than to the
palette. It communicates in glazings a variety of tints, from rose-red
to violet.
* * * * *
So scant is the number of good purples in common use, that there are but
two which can be classed as durable, namely, purple mad
Mars violet.
Foremost in the second group stands burnt carmine. As there are
different degrees both of permanence and fugacity, so are there
different degrees of semi-stability. Burnt carmine, burnt lake, Indian
purple, and violet carmine, all belong to this division; but the first
certainly is more permanent than the rest.
Rich and beautiful as it is, purple madder cannot be called brilliant;
while Mars violet is, of course, ochrous. Unlike green and orange,
therefore, purple can point to no original pigment at once vivid and
durable: as regards purple, brilliancy implies a semi-stability that
borders more or less closely on fugacity. Until the advent of a perfect
palette, however, brilliancy and semi-stability will doubtless hold
their own. Their present popularity may be seen by a glance at the lists
of artist-colours--lists compiled, be it remembered, in obedience to
the law of demand and supply. If art were really so much honoured as
some of its disciples pretend, none but durable colours would be
employed. In our opinion, if a picture be worth painting at all, it is
worth painting with permanent pigments; but many evidently think
otherwise. Deploring an error neither flattering to the craft they
practise nor to themselves, we would urge such to bear in mind this
axiom, semi-stable pigments become fugitive when used in thin washes.
Even in body they do not preserve their primitive hue, but in glazing
and the like, their colour altogether flies or is wholly destroyed.
It is this semi-stability, recommended to the thoughtless and
indifferent by the beauty which generally accompanies it, that is the
bane of modern art. Even our greatest painters have yielded to its
fascination. Who has not gazed upon one of Turner's fading pictures with
still more of sadness than enjoyment, that anything so grand, so
beautiful, so true, should slowly but surely be passing away? A feeling
akin to pity is conjured up at the sight of the helpless wreck,
abandoned amid the treacherous materials employed, and sinking deeper
and deeper. Mournful, indeed, is that mighty ruin of mind amid matter;
mournful the thought that in years to come, the monument sought for will
not be found.
TTITLE TERTIARY CITRINE
Citrine, or the colour of the citron, is the first of the tertiary class
of colours, or ultimate compounds of the primary triad, yellow, red, and
blue; in which yellow is the archeus or predominating colour, and blue
the extreme subordinate. For citrine being an immediate compound of the
More
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Orange Lead
of a dull orange colour, is an orange protoxide of lead or massicot. Like litharge, it may be employed in the preparation of drying oils, and, being a better drier than white lead, may be substituted for it in mixing with pigments which need a sicca... Orange Orpiment
or Realgar, has also been called Red Orpiment, improperly, since it is a brilliant orange, inclining to yellow. There are two kinds, a native ... Paille De Mil
Or African Cochineal, is a substance obtained from Africa. Whether it has received its name of cochineal from its appearance or origin is not clear, but it behaves more like galls and sumac than cochineal, though it does give a kind of red with alum... Paper Black
a pigment unknown to the modern palette, like most of our numbered italicised colours, is of the nature of blue or vine black. Very soft and of a fine bluish-gray, it is fitted for flesh, or for mixing with whites or yellows in landscapes. ... Patent Yellow
... Peach Black
or Almond Black, made by burning the stones of fruits, the shell of the cocoa-nut, &c., is a violet-black, once much used by Parisian artists. Bouvier believes it to be a good black, but at the same time sensibly asks, of what use is it to have a bl... Peganum Harmala
The seeds of which afford a red colour, has been investigated by the French, but described as inferior to existing reds both in brilliancy and stability. ... Persulphomolybdates
The metallic compounds formed by the combination of persulphomolybdic acid with a base are pulverulent, in many cases of a red colour, and for the most part insoluble in water. With barium, the acid furnishes a yellowish-red powder, insoluble in, bu... Platinum Blue
With mercurous nitrate, the platinocyanide of potassium forms a thick smalt blue, and the platinidcyanide a dark blue precipitate. The compound is a mixture of platino- or platinidcyanide of mercury and mercurous nitrate. Upon the presence of the la... Platinum Yellow
Our own opinion of this costly preparation is that the good qualities of the product do not justify its price. It may be obtained as a bright, rich, deep yellow, of considerable transparency; but the colour is acted upon by foul gas and exposure. Ev... Prussian Black
The same Prussian blue which gives a brown when burnt in the open air, yields a black when calcined in a close crucible. Very intense, very soft and velvety, and very agreeable to work, this bluish-black dries much more promptly than most other blac... Prussian Purple
A prussiate of iron is obtainable of a violet hue, affording good shadow tints and clear pale washes. It has not, however, been introduced as a pigment, as ordinary Prussian blue tinged with red furnishes a similar colour. ... Prussiate Of Copper
differs chemically from Prussian blue only in having copper instead of iron for its basis. It varies in hue from russet to purple brown, is transparent and deep, but, being very liable to change in colour by the action of light and by other pigments... Purple Black
is, or rather was, a preparation of madder, of a deep purple hue approaching black. Powerful and very transparent, it glazed and dried well in oil, and was a durable and eligible pigment. Its tints with white lead were of a purple cast. ... Purple Brown
is a refuse manufacture from Indian red washings. A dull, heavy, coarse colour, it belongs to the class of common pigments which are unexceptionable for decorative painting, but scarcely suited to the higher branches of art. As this work professes s... Quinine Green
is rather adapted for a dye than an artist-colour. It is furnished by acting on quinine with hypochlorite of lime, hydrochloric acid, and ammonia, successively. Thus prepared, the green resembles a resin, insoluble in water, but soluble in alcohol, ... Red Chalk
The colouring matter of which is sesquioxide of iron, is used as a crayon. Some specimens are excessively hard, so much so that they are difficult to crush, even in an iron mortar; while others have the consistence of the softest iron-ochres. They v... Red Precipitate
Or mercuric oxide, may be obtained either of a brick-red or orange-yellow colour. It is destroyed by impure air, and on exposure to sunshine gradually turns black, being superficially decomposed into oxygen and metallic mercury or mercurous oxide. ... Roman Green
brought from Rome some years back by a President of the Royal Academy, appeared to be a mixture of Prussian blue and Dutch or Italian pink. It was a fugitive compound, which became blue in fading. ... Rose Pink
Is a coarse kind of lake, produced by dyeing chalk or whitening with decoction of Brazil wood, peachwood, sapan, bar, camwood, &c. It is a pigment much used by paper-stainers, and in the commonest distemper painting, &c., but is too perishable to me... Rouge
The rouge vegetale of the French, is a species of carmine, prepared from safflower or carthamus, which is the flower of a plant growing in the north of Africa, India, and other warm climates. Safflower yields two colours--a valueless yellow which di... Rubens' Brown
still in use in the Netherlands under this appellation, is an earth of a lighter colour and more ochrous texture than the Vandyke brown of English commerce: it is also of a warmer or more tawny hue than the latter pigment. Beautiful and durable, it ... Rufigallic Red
When a duly proportioned mixture of gallic acid and oil of vitriol is carefully and gradually heated to 140 deg., a viscid wine-red liquid results. If this be poured into cold water, after cooling, a heavy brown-red granular precipitate is formed, s... Sandal Red
We have kept this separate from other reds derived from woods, because it is said (by Professor H. Dussance) to be obtainable not only equal in beauty and brightness to carmine, but of greater permanence. The process of preparation is as follows:--T... Sandal Wood Purple
Sandal wood contains about 16 per cent. of colouring matter, soluble with difficultly in water, but readily dissolved by alcohol. From the latter solution, chloride of tin throws down a purple, and sulphate of iron a deep violet precipitate; neither... Saunders Blue
... Schweinfurt Blue
or Reboulleau's Blue, is prepared by fusing together equal weights of ordinary arseniate of protoxide of copper and arseniate of potash, and adding one-fifth its weight of nitre to the fused mass. The result is, so to speak, a sort of blue Scheele's... Silicate Of Baryta
One part of silica heated to whiteness with three parts of baryta, yields a pale green solid mass, permanent, but deficient in colour when ground. It might be employed in enamelling. ... Silver Red
By adding monochromate of potash to an acid solution of nitrate of silver, a particularly fine ochre-red is obtained. It is, however, apt to be injured both by foul air and exposure. ... Sorgho Red
Some nine years back there was found to be a carmine colouring matter in most parts of the Chinese sorgho, chiefly in the unpressed stem. The red, which is extracted in an impure state, is dissolved in weak potash-ley, thrown down by sulphuric acid,... Spanish Black
or Cork Black, is a soft black, obtained by charring cork, and differs not essentially from Frankfort black, except in being of a lighter and ... Thallium Orange
is produced when bichromate of potash is added to a neutral salt of the protoxide of thallium, as an orange-yellow precipitate. The scarcity of the metal precludes their present introduction as pigments, but if the chromates of thallium were found t... Thallium Red
The orange-yellow precipitate formed by mixing a neutral salt of protoxide of thallium with bichromate of potash, is converted by nitric acid into an orange-red. The latter compound, which is a terchromate, is almost insoluble in cold water, 2814 pa... Thallium Yellow
The new metal thallium yields in combination with chromic acid two yellow colours, a pale and an orange. They are not absolutely insoluble in water, and the sulphide of thallium being brown, would probably be damaged by impure air. But whatever thei... Thwaites' Yellow
Under this name chromate of cadmium was introduced some few years back. If well prepared, it is a fine soft powder of a very vivid light yellow colour. The compound is too soluble, however, to be of value, its washings even with cold water being con... Tin Pink
By igniting strongly for some hours a mixture of stannic oxide, chalk, chromate of potash, and a little silica and alumina, a dingy red mass is obtained, which acquires a beautiful rose-red colour on being washed with water containing hydrochloric a... Tin Violet
By heating chromate of stannic oxide to bright redness, a dark violet mass is obtained, which is better adapted to enamel painting than to the palette. It communicates in glazings a variety of tints, from rose-red to violet. * * ... Tin White
Resembles zinc white in some respects, but has less body and colour, and dries badly. According to its composition, it is liable to turn either black or a dull yellow in contact with sulphurous vapours. ... Titanium Green
has been proposed as a substitute for the green arsenical pigments in common use; but, apart from its expense, the colour is very inferior to Scheele's green, &c. Titanium green is a ferrocyanide of that metal, produced by adding yellow prussiate of... Tungsten Blue
is an oxide formed by the action of various deoxidizing agents on tungstic acid. It remains unaltered in the air at ordinary temperatures, is opaque, and of a blackish indigo-blue colour. As a pigment, there is little to recommend it. ... Turbith Mineral
... Ultramarine Red?
In Gmelin's Handbook of Chemistry it is remarked that "Hydrogen gas passed over ignited ultramarine, colours it light red, from formation of liver of sulphur, hydrosulphuric acid gas and water being evolved at the same time." On most carefully makin... Uranium Brown
Yellow, red, orange, green, have been previously noticed as being derived from uranium, and to this list of colours may now be added brown. A warm rich hue of the utmost intensity may be produced, which possesses considerable permanence, although no... Uranium Green
is an oxide of a deep dull green colour, inclining to olive, and nearly black when in lumps. A durable but unattractive preparation, equalled in permanence and far surpassed in beauty by many cheaper compounds. ... Uranium Orange
is obtainable by wet and dry methods as a yellowish-red, or, when reduced to powder, an orange-yellow, uranate of baryta. It is an expensive preparation, superfluous as a pigment. ... Uranium Red
By treating the yellow sulphite of uranium with a prolonged current of sulphuretted hydrogen, and saturating gradually with ammonia, a red finally results. This colour is insoluble in water, and it has the objection of remaining partially suspended ... Uranium Yellow
Can be produced of a pale or orange tint, differing in brightness and depth of colour according to the mode of preparation. It is fairly eligible as a pigment, and far superior to the many fugitive compounds which have from time to time appeared. Be... Vanadium Green
falls when ferrocyanide of potassium is added to vanadic acid dissolved in a strong acid. It is a beautiful green precipitate, but at present simply a curiosity, owing to the rarity of the metal vanadium. * * * * * ... White Chalk
Is a well-known native carbonate of lime, employed by the artist only as a crayon, or for tracing his designs, for which purpose it is sawed into suitable lengths. White crayons and tracing chalks, to be good, must work and cut free from grit. From ... Wongshy Red
There was imported a few years ago from Batavia a new colouring ... Wood-tar Blue
The colours obtained from coal-tar have become household words, and it is not impossible that those from wood-tar may be some day equally familiar. At present wood-tar is comparatively unexplored, but the fact that picamar furnishes a blue is at lea... Yellow Carmine
Is a rich transparent colour, somewhat resembling an ochre compounded with Indian yellow. On exposure to light, it behaves much as a mixture ... Zinc Brown
A yellow-brown, so yellow that it might fairly have been classed with the ochrous colours of that denomination, is made by combining zinc with another metal by the aid of heat. Experience tells us that it is, chemically, a thoroughly good and stable... Zinc Orange
When hydrochloric acid and zinc are made to act on nitro-prusside of sodium, a corresponding zinc compound is formed of a deep orange colour, slightly soluble in water, and not permanent. * * * * * For a secondary... Zinc-cobalt Blue
Cobalt, as furnishing a blue colour, is usually associated with alumina, silica, or tin; and, as furnishing a green colour, with zinc. But there is obtainable a compound of zinc and cobalt which gives a blue not only free from green, but inclining r... &c As Well As Of The Semi-neutral Gray &c: It Therefore Is Changed
in hue less than any other colour by mixture with black, as it is likewise by distance. Blue is present subordinately in all tertiary and broken colours, and being nearest in the scale to black, breaks and contrasts powerfully and agreeably with white... 140 Bice
Blue Bice, Iris, Terre Bleu, was prepared, when true, from the Armenian stone, which is a calcareous kind of stone coloured with copper. It was of a light bright hue, but is completely superseded by pale ultramarine. The Persian lazur appears to hav... 17 Pearl White
Is an insoluble basic nitrate of bismuth, a pearly white powder of loose texture, turning grey on exposure, and blackened by sulphuretted hydrogen. It is chiefly used as a cosmetic, but is said to injure the skin, rendering it yellow and leather-lik... A Black The General Contrast Or Harmonizing Colour Of Such Compounds
will consequently be more or less purple or blue. The number of browns is great, as may be seen by the following list. This list, however, is good, and includes a considerable proportion of permanent pigments. TTITLE ASPHALTUM, ... A Blue-green; And When It Tends To Crimson Or Purple A
... A Coarse Gritty Texture Is Peculiar To Smalt Whether It Be The Powder
... A Corrupt Name From Cendres Bleues The Original Denomination Probably
of ultramarine ashes, is of two kinds, the natural and artificial. The first is a blue mineral found near copper mines, while the last is simply a verditer. ... A Deep Orange Like Blue Olive Is A Retiring Colour The Most So Of
all the colours, being the penultimate of the scale, or nearest of all in relation to black, and last, theoretically, of the regular distinctions of colours. Hence its importance in nature and painting is almost as great as that of black; it divides t... A Mixture Which Is Also Known As Brunswick Green Fine Bright Greens
they are suited to the ordinary purposes of mechanic painting, but are quite unfit for the artist's craft, chrome yellow reacting upon and ultimately destroying Prussian blue when mixed therewith. For the latter, cheap cobalts and ultramarines are pre... A Mixture Will Slowly But Surely Lose The Colour For Which It Was
... A Pure Azure Like A Spot Of Light While Their Ground The Prussian
... A Sample Which Parts With Its Prussiate To Cold Water Is Quite
unfitted for the palette, for which the most perfect specimen is none too stable. In spite of the learned researches of Professor Williamson, whose name is as closely connected with the pigment as are the names of Schunck and De La Rue with madder ... All Cases Add The Property Of Being Innoxious As This However
cannot be, and colours are by no means to be sacrificed on that account, cleanliness and avoiding the habit of putting the brush unnecessarily to the mouth, so common in water-painting, are sufficient guards against any possibly pernicious effects fro... Also Called English And Dutch Pink Is An Absurd Name For A Stronger
and richer kind of yellow lake, warmer in tint and more powerful than the preceding. It is a rich transparent yellow, yielding a variety of fine foliage tints by admixture with indigo and sepia in different proportions. These three colours with burnt ... Also Called Jaune Minerale Jaune De Cologne Or Cologne Yellow
... Also Called King's Yellow Chinese Yellow Yellow Orpiment &c
... Also Called Permanent White And Barytic White Is When Well
prepared, of superior body in water, but has less opacity in oil. It works in a somewhat unsatisfactory and unpleasant manner, and is considerably lower in its tone while wet than when dry, a fault which subjects even an experienced artist to great un...