And By Mixing Colours Or Tints With Black He Gets Shades It Is A
: ON COLOURS AND PIGMENTS GENERALLY.common error to confound these distinctions.
The above classification of colours enables us to understand the
simplicity of relation which exists among an infinity of tints, hues,
and shades of colour. Also, it is calculated to give precision to
language respecting colours, the nomenclature of which has too often
been vague and uncertain.
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A Mixture Which Is Also Known As Brunswick Green Fine Bright Greens
they are suited to the ordinary purposes of mechanic painting, but are quite unfit for the artist's craft, chrome yellow reacting upon and ultimately destroying Prussian blue when mixed therewith. For the latter, cheap cobalts and ultramarines are pre... A Mixture Will Slowly But Surely Lose The Colour For Which It Was
... A Pure Azure Like A Spot Of Light While Their Ground The Prussian
... A Sample Which Parts With Its Prussiate To Cold Water Is Quite
unfitted for the palette, for which the most perfect specimen is none too stable. In spite of the learned researches of Professor Williamson, whose name is as closely connected with the pigment as are the names of Schunck and De La Rue with madder ... All Cases Add The Property Of Being Innoxious As This However
cannot be, and colours are by no means to be sacrificed on that account, cleanliness and avoiding the habit of putting the brush unnecessarily to the mouth, so common in water-painting, are sufficient guards against any possibly pernicious effects fro... Also Called English And Dutch Pink Is An Absurd Name For A Stronger
and richer kind of yellow lake, warmer in tint and more powerful than the preceding. It is a rich transparent yellow, yielding a variety of fine foliage tints by admixture with indigo and sepia in different proportions. These three colours with burnt ... Also Called Jaune Minerale Jaune De Cologne Or Cologne Yellow
... Also Called King's Yellow Chinese Yellow Yellow Orpiment &c
... Also Called Permanent White And Barytic White Is When Well
prepared, of superior body in water, but has less opacity in oil. It works in a somewhat unsatisfactory and unpleasant manner, and is considerably lower in its tone while wet than when dry, a fault which subjects even an experienced artist to great un... Also Called Scarlet Chrome Is A Bright Chromate Of Lead Of An
orange-red colour, the red being predominant. Rank in tone, it is liable to the changes of the yellow chromes, though in a less degree. The recent introduction of cadmium red renders the use of this unnecessary. TTITLE RED LEAD, ... Also In The Olive Foliage Of The Rose-tree Formed In The Individual
leaf by the ramification of purple in green. Besides the durable yellows, reds, and blues, the following orange and green pigments are eligible for mixed citrines. They may likewise, however, be safely and simply compounded by slight additions, to an ... And Air Are Of Organic Origin Such As Gallstone Indian Yellow And
the yellow dye-wood lakes; the red and purple lakes of cochineal; indigo; and sap green. To these may be added the semi-organic Prussian blue; and the inorganic yellows and orange of arsenic. ... And An Artificial Of Which The Former Is The Sandarac Of The
ancients, and is rather redder than the latter. They possess the same qualities as pigments, and as such resemble yellow orpiment, to which the old painters gave the orange hue by heat, naming it alchemy and burnt orpiment. Orange orpiment contains mo... And Body-white Cremnitz Or Kremnitz Crems Or Krems White
... And By Mixing Colours Or Tints With Black He Gets Shades It Is A
common error to confound these distinctions. The above classification of colours enables us to understand the simplicity of relation which exists among an infinity of tints, hues, and shades of colour. Also, it is calculated to give precision to la... And Cools Blue Hence The Artist Errs With Ill Effect Who Regards
black as of nearest affinity to hot and brown colours, and will do well ... And Gray May Be Considered Types They Are So Called Because They
comprehend all the combinations of the primary, secondary, and tertiary ... And Ivory Brown Are Obtained By Roasting Bone And Ivory Until By
partial charring they become of a brown colour throughout. Though much esteemed by some artists, they are not quite eligible pigments, being bad driers in oil, the only vehicle in which they are now used. Moreover, their lighter shades are not permane... And Neutrality The Chromatic And Achromatic Or Hue And Shade By The
right management of this, local colours acquire value, gradation, keeping, and connection: whence come breadth, aerial perspective, and the due distribution of greys and shadows in a picture. ... And Royal Blue Of The Artist And High-class Manufacturer But The
strict stability which is a feature in smalt when used for painting on glass and enamel does not follow it to the studio: both in water and oil its beauty soon decays, as is often the case with other vitrified pigments; nor is it in other respects eli... Antwerp Brown A Preparation For The Use Of Water-colour Artists Is
... Applies To Roman Lake Venetian Lake And Many Others; None Of
which, however beautiful or reputed, is entitled to the character of stability either in hue, shade, or tint. TTITLE DRAGON'S BLOOD Is a resin brought from the East Indies. It is of a warm semi-transparent, rather dull red colour, which is deepen... Are Commercially Known As Emerald Green Malachite Green Scheele's
... Are The Negative Powers Or Neutrals Of Colours And The Extremes Of
the scale. Moreover, as red is less nearly allied to black or shade than to white or light, this harmony is most remarkable in the union or opposition of white and red, and this contrast most powerful in black and red. As a primary and simple colou... Artificially The Old Italians Called It Falsalo
TTITLE CALEDONIAN BROWN is a permanent native pigment, the use of which is confined to oil. A magnificent orange-russet brown of considerable transparency, it is marked by great depth and richness, and will be found serviceable where a powerful b... Artists' Colours Therefore Vitrification Does Not Impart
permanence. The grittiness to which we have referred is one of the defects of smalt, which cannot, consistently with preserving its colour be entirely freed from that drawback--an objection which pertains to vitreous pigments in general. Hence it d... As A Local Colour Which Is A Technical Term For The Natural Colour
of an object, unvaried by distance, reflection, or anything interfering with distinct vision; although, properly speaking, local colours are subject to all the relations and effects of the places they occupy in a composition--whether of light, shade, ... Asphalt Bitumen Mineral Pitch Jew's Pitch Antwerp Brown
...